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Monday
Jan282013

In Which I Make a Confession

Despite being heir culturally to many, many of his concepts of the horror derived other worlds adjacent to our own, until this weekend, I had never actually read anything by H. P. Lovecraft. With great shame I confess that this was true even though I had even bought my husband one of those big Barnes and Noble nicely-bound anthologies that we all know are just a guise to make money off of non-copyrighted works of literature (but buy anyway, because they look kind of nice). At least this meant that when I finally came to my senses and decided to rectify the situation, I had the texts close at hand.

I started with "The Shadow over Innsmouth." From the first paragraph, it was clear that while I had never read this particular story before, I already knew it. Lovecraft has been so absorbed into our collective cultural consciousness that I had already experienced so many of the tropes and plot twists that he employs (not that I'm going to give anything away). I put the book down with great satisfaction, enchanted to be in the hands of this writer.

That said, from what I can tell as I page through the rest of the giant book, Lovecraft is guilty of overuse of his Lovecraftian self, a bit repetitive, and apparently was a really interesting guy (not that that casts shadow on his work in any way). Some of his stories sidle up really close to the too-florid-to-read line. 

But so much in this book I have never read is familiar, including but not limited to:

 

  • Creepy inbred ("degenerate") New England towns
  • Monsters with interest in humans ranging from nefarious to indifferent to haphazardly desctructive just for the fun of it, often at the same time
  • Narrators who go insane based on what they've seen or experienced (shades of Poe are very evident here)
  • Drunk informants who tell the truth that no one believes
  • Arkham Asylum/Sanitorium
  • The Ancient Ones

 

What really resonated with me is a concept that the introduction alludes to, the idea that true terror comes from imagining a world in which humans are nothing more than a speck of dust, or a fly to a curious child, simply irrelevant to the larger powers that we so often assume are invested in our lives in a very tangible way. How close this comes to your own (or my own) view is a post for another time, but I can easily imagine how frightening this concept would have been in the '10s, '20s, and '30s, in light of the incredible scientific advancement that was taking place. For the first time, this horrific idea was all the more horrific because there was evidence that it might be true. And we all know that the best horror works with what we are all actually afraid of in the realm of fiction, thus making it just safe enough to finally consider.

So a belated salute to Lovecraft. And I hear that Del Toro might be looking into adapting the novella Mountains of Madness for the screen. Seems an appropriate combination to me.

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